SUSANNE KUTTER
Uncertain Domesticities
House of Arts, Brno. 08.04.2025 – 10.08.2025
Curated by Ina Bierstedt
The exhibition seeks to trace the many layers of the theme of home while exploring its shifts in meaning over the past decades. The exhibition focuses on the relationship between people and space, and life in different homes. It deals with the ownership or loss of one’s own home, inclusion and exclusion, belonging and survival. In the set of presented works, the artists reflect the complex question of the world’s future habitability.
In this photo:
Susanne Kutter, Transform Fault II, 2023
Competing on the international stage: global visibility, curatorial focus, sustainability
Project financed by the Lombardy Region European Regional Development Fund 2021/2027 PR FESR 2021-2027.
The project envisages the participation in Miart 2025 with an exhibition of works by Bob and Roberta Smith, artists with a strong presence on the international market, whose work is known for its particular form of ‘slogan art’ addressing political and social issues. Through digital strategies and the implementation of sustainable and responsible management practices, the project promotes the dissemination of contemporary artistic culture, with both immediate and long-term benefits for the company and the sector. It contributes to the consolidation of professional and commercial relationships and to the strengthening of the company’s competitiveness on the global market.
Total amount: € 18.078,72 | Benefit granted: € 8.000
SUSANNE KUTTER
Aufräumen
Kunstverein Peschkenhaus, Moers. 06.04. – 15.06.2025
The need to create space is a fundamental act of new beginnings. Reorganising creates the decision to position oneself in the world – be it by reorganising the context of life or living, the environment and surroundings, restructuring tasks or creating systems. A system can act as a memory aid, as a kind of map for thinking and acting. However, it is just as important to allow empty spaces – moments of disorder or chaos in which new things can emerge.
Frank Scurti
Super Conceptual Pop
Fondation CAB, Brussels. 01.04. – 31.10.2025
A cura di Marjolaine Lévy
The exhibition takes its cue from one of the titles of Stefan Brüggemann’s exhibition of the same name to promote a new, twisted chapter in the relationship between conceptual and pop aesthetics in contemporary creation. Through the works, this twist offers a new approach to conceptual art, which simultaneously celebrates a form of nihilism, reminiscent of Dada, and performs in the realm of entertainment and merchandising.
In this photo:
Franck Scurti, New Values, 2025
Franck Scurti
Ce que l’horizon promet
Fondation groupe EDF, Paris. 12.03 – 28.09.2025
Curated by Samantha Barroero, Nathalie Bazoche, Gérald Bronner and Erell Gueguan
In an ever-changing world, this exhibition questions our perception of the future and our ability to anticipate it. How do we project ourselves into a future that is, by definition, uncertain? What tools, what beliefs, what disciplines do we use to try to see things more clearly?
If the horizon is an imaginary line, a vanishing point in constant motion, it is also a promise: that of a possible future, an unknown to be deciphered.
In this photo:
Franck Scurti, Economic Landscape, 2024, ink on wood (poplar), acrylic paint, oak frame, 158 x 82,5 x 4 cm
Photo: Aurélien Mole
Franck Scurti
Gwangju Biennale Foundation
We are happy to announce that Franck Scurti’s installation Gwangju Recordings created for the 15th Gwangju Biennale Pansori, a soundscape of 21st Century, will become part of the permanent collection of the Gwangju Biennale Foundation in South Korea.
In this photo:
Franck Scurti, Gwangju Recordings, 2024, detail
The cool couple
The Cute and the Useful
MAMbo – Museo d’Arte Moderna, Bologna. 27 February, 6.30 p.m.
In the MAMbo Conference Room, there will be a screening of the mid-length film The Cute and the Useful by The Cool Couple (Niccolò Benetton and Simone Santilli), followed by a conversation of the two artists with Lorenzo Balbi, director of MAMbo. The meeting will be chaired by Arnold Braho and Marta Cereda.
The Cute and the Useful is an ironic yet powerful reflection on how the concept of utility moulds one’s perception of the natural world, turning the ‘wild’ into part of a new aesthetic and a consumer-oriented value system.
Free admission
AXEL LIEBER
Preferably Avant-garde Art
RAVINEN Kulturhus, Båstad. 01.02 – 18.05.2025
Curated by Sune Nordgren
The exhibition is curated by Sune Nordgren, who made a selection from the donation made to the city of Malmö by Karin and Jules Schyl. The donation contained a large stock portfolio and a studio filled with art by Schyl. Everything was to be sold, and the funds were to be used to buy “original foreign art – preferably avant-garde”. As director of Malmö Konsthall in the 1990s, Sune Nordgren played a decisive role in ensuring that international contemporary art was shown in Skäne. He was also involved in the art purchases made by the representatives of the Schyls’ donation. The collection now belongs to Malmö Art Museum.
In this photo:
Axel Lieber, Without Title, 1990, wooden locker, sawn, 175 x 50 x 43 cm
Photo: Peter Stumpf
AXEL LIEBER
Kunstmuseum Bonn
We are happy to announce that the Kunstmuseum Bonn, Germany, has acquired Axel Lieber’s work Wasserfarben 2, 2024, for its permanent collection.
In this photo:
Axel Lieber, Wasserfarben 2, 2024, world map, various papers, adhesive, 114 x 188 cm
Photo: Martin Müller
NAHUM TEVET
Material Imagination: Inflamed Nerve
Tel Aviv Museum of Art, Tel Aviv
Curated by Dalit Matatyahu
Inflamed Nerve, the third chapter of the Museum’s Israeli art collection exhibition Material Imagination, is launched in the midst of the deepest rift that Israeli society has ever seen. The social, ideological, and religious polarization pounds in the exhibition like the throbbing pulse of the artworks and their evolving interrelations. After three years of display, the exhibition, which features works created here over more than a century, has been supplemented by some 70 new works by leading artists, including a work by Nahum Tevet.
In this photo:
Nahum Tevet, Corner, 1974
BOB AND ROBERTA SMITH
Thamesmead Codex
Tate Modern, London. Until 25.01.2026
Thamesmead Codex exhibited at the Tate Modern in London is a work by Bob and Roberta Smith that celebrates the voices and local community of Thamesmead, London. From 2019 to 2020, the artist spoke to a variety of local residents. He then transformed their conversations into the 24 painted signs, presenting these interviews in a modern version of a ‘codex’, an ancient term for a manuscript or book. The work documents the history and identity of Thamesmead and its communities, records memories of the past and hopes for a future. Alongside this recording of people’s thoughts and experiences, Smith includes vivid, futuristic landscape scenes, similar to the illustrated pages of a codex.
In this photo:
Bob and Roberta Smith, Thamesmead Codex, 2021. © tommophoto.com
FRANCK SCURTI
Supernova
Teatro Michetti, Pescara. 07.12.2024 – 08.02.2025
A cura di Massimiliano Scuderi e Elisabetta Trincherini
The exhibition is conceived on the basis of the relationship between the language of Radical Design and that of the Visual Arts in particular, in order to explore the relationship between the projects of architects and designers of the time and the languages of contemporary art. The Supernova is a bright star in the celestial vault whose expansion can determine the birth of other stars, just as radical design has determined the birth of new languages in contemporary art and architecture. Among the international artists invited is Franck Scurti.
In this photo:
Franck Scurti, Enseigne Presse, 2003, neon sign, plexiglass, 100 x 100 x 35 cm. Photo by Jacques Faujour
THE COOL COUPLE
The Cute and the Useful
Triennale Milano. 12 November 2024, 6.30 p.m.
Triennale Milano presents The Cute and the Useful, a mid-length film by The Cool Couple, produced by Careof. The event is being held concurrently with the exhibition Territorial Machines: Extracting Nature, at MAAB Gallery, curated by Arnold Braho: an exploration of the dialectic between aesthetics and functionality as applied to the representation of wildlife and nature. The screening will be followed by a discussion, inviting the audience to question the role of conservation and the images it produces.
The artists Niccolò Benetton and Simone Santilli, will take part in dialogue with Vincenzo Estremo and Nicolò Porcelluzzi. The meeting will be chaired by Arnold Braho and Marta Cereda.
Admission free with prior registration: www.triennale.org
Susanne kutter
Our House
Museum Giersch, Frankfurt am Main. 25.10.2024 – 16.02.2025
Nothing is as private and public at the same time as housing. Having your own four walls is a basic human need. In view of rising rents and a shortage of living space, the question of fair, sustainable and good housing is once again being debated with great urgency both politically and socially. How do we live? How precarious are some housing situations, and how can housing be conceived in the future? The works on display deal with the most diverse facets of living.
FRANCK SCURTI
Prix Fourier Considérant 2024
We are delighted to share that Franck Scurti has received the “Prix Fourier Considérant”, awarded in Besancon by the association des Amis de Victor Considérant, Le Centre d’Art Mobile and the Fondation Maison de Salins.
This prize rewards the sculpture La Quatrième Pomme, un hommage à Charles Fourier, a work Scurti created in 2011 following a competition organized by the city of Paris in 2008. The work can be seen on Boulevard de Clichy in the 9th arrondissement of Paris.
In this photo:
Franck Scurti, La Quatrième Pomme, un hommage à Charles Fourier, 2011
CLAIRE LINDNER
Premio stARTup. ArtVerona 2024
We are pleased to announce that Claire Lindner has won the stARTup prize at ArtVerona 2024, with Blossoming no.17, 2022. The work was chosen by the jury composed of collector Nico Sgarzi, curator, author and journalist Beatrice Benedetti and Matteo Zauli, director of the Museo Carlo Zauli in Faenza.
Photo: Resmes.it per ArtVerona
FRANCK SCURTI
Grande Ville
Magasins Gènèraux, Pantin. 27.09. – 17.11.2024
Curated by Anna Labouze and Keimis Henni
Through the gaze of artists from around the world and across generations, Grande Ville seeks to delineate new utopias and coexistences in order to make urban spaces more inclusive, ecological and desirable, while reconsidering the ways in which we live with them on a daily basis. In his series Les Reflets, Franck Scurti takes a poetic and surreal look at illuminated shop signs. Distorted as if reflected in a pool of water, and sometimes disproportionately large, these signs become fantastic echoes of our urban reality.
In this photo:
Franck Scurti, Les Reflets (Sandwich grec/turc), 2004, illuminated sign, 94 x 95 x 21,3 cm
©Franck Scurti, Adagp, Parigi
MAURIZIO MOCHETTI
Nel tempo
Villa Panza, Varese. 06.06.2024 – 06.01.2025
Curated by Gabriella Belli with Marta Spanevello
Through fifty-nine works by twenty-three artists from the collection of Giuseppe Panza di Biumo, the exhibition explores one of the most mysterious and complex subjects in our lives.
The exhibition is divided into two narrative registers, eternal time and the time of reality, which guide the visitor through the five sections of the exhibition: sense (of time), duration (of time), places (of time), noise (of time) and experience (of time).
BENJAMIN COHEN
Rokade – Streetspace Banger
Kunsthalle Recklinghausen, Antwerp. 24.08. – 10.11.2024
Curated by TICK TACK
TICK TACK and Kunsthalle Recklinghausen are launching a unique project: both institutions will take over their respective exhibition venues for the period from August to November 2024. This joint exchange project bears the Flemish title ROKADE, a reference to castling in chess, where the king and rook switch places on the chessboard.
The group exhibition brings together a selection of more than 80 international artists.
the cool couple
Winding and Unwinding
Fondazione Monte Verità, Ascona. 27.07. – 01.11.2024
In a reinterpretation of the futuristic research idea of Olga Fröbe-Kapteyn, artist, intellectual and founder of the Eranos Conferences, the artists move along the ridge of the relationship between art, philosophy, psychology and natural forms, which is reinterpreted by artificial intelligence. The comparison of a corpus of drawings by Fröbe-Kapteyn with a dataset of scientific images gives rise to the three works exhibited in the spaces of the Bauhaus hotel and a multimedia installation, housed in the Casa Selma air-light hut, stages a dialogue between entities arising from a study of the many personalities who have contributed to the corpus of writings of the Eranos Foundation.
In this photo:
The Cool Couple, Olga, 2024, inkjet print on cotton paper, aluminium frame
FRANCK SCURTI
Pansori, a soundscape of 21st Century
15th Gwangju Biennale 07.09. – 01.12.2024
Curated by Nicolas Bourriaud
The Gwangju Biennale brings together 73 artists from 30 countries. Pansori, a soundscape of 21st Century is an attempt to map the complexity of the contemporary world, conflicting borders, anti-migration walls, confinement, social distance, segregation policies.
Franck Scurti’s project Gwangju Recording is partly based on John Cage’s analogy between music and mushrooms and the recognition, as matter, of all that is discarded in the streets of cities: for the artist, waste contributes to the environmental noise of the city and becomes a basic element of his sculpture.
In this photo:
Franck Scurti, Gwangju Recording, 2024
CLAIRE LINDNER
Homo Faber 2024: The Journey of Life
Fondazione Giorgio Cini, Venezia. 01-30.09.2024
Art Direction by Luca Guadagnino and Nicolò Rosmarini
Homo Faber 2024 is an immersive exhibition set up in the magnificent spaces of the Giorgio Cini Foundation, celebrating contemporary artistic craft talent.
Among the artworks on display are ceramic sculptures by Claire Lindner.
In this photo:
Claire Lindner, In Bloom n°5, 2023, glazed stoneware, 67 x 42 x 40 cm
FRANCK SCURTI
Future is now
Le Parvis, Scène Nationale Tarbes Pyrénées, Tarbes. 15.06 – 05.10.2024
On the occasion of the 50th anniversary of the Parvis Center for Contemporary Art, the exhibition stands as a historical and institutional survey of half a century of cultural policies and exhibitions in France, addressing and evoking various themes through the venue’s archives and recent works by artists who exhibited there from 1974 to 2024.
In this photo:
Franck Scurti, Social Distancing (Tartan), 2020, brass grating, pulp made from cellulose fiber, 99 x 72 x 5 cm
FRANCK SCURTI
Van Gogh et les Étoiles
Fondation Vincent van Gogh, Arles. 01.06- 08.09.2024
Curated by Jean de Loisy and Bice Curiger
Van Gogh’s famous “Starry Night,” one of the masterpieces in the Musée d’Orsay’s collection, is in Arles for the first time.
The exhibition will highlight the scholarly work and research carried out by Vincent van Gogh during his lifetime, through a variety of scientific, historical and poetic approaches. In addition, the work of past and present artists will shed new light on Van Gogh’s work, highlighting his legacy and unwavering strength.
A work by Franck Scurti will also be included in this journey to the stars undertaken through the return of “Starry Night” to the banks of the river that inspired it.
In this photo:
Franck Scurti, Misère d’étoiles, 2005, Blue Jeans, Acrylic paint, ink, walnut, wood
pETER VOGEL
Listening differently
Museum für Neue Kunst, Freiburg. 15.03 – 08.09.2024
Worlds of sound.They are as diverse as our perception. You can hear them, see them or feel them. Participative and integrative, the exhibition opens up to all visitors active approaches to artworks dedicated to this theme. The electronic works of Peter Vogel, for example, react sometimes visually, sometimes acoustically to the actions of the audience.
CLAIRE LINDNER
Aqua Terra
Fondation François Schneider, Wattwiller. 20.04 – 22.09.2024
Curated by Sarah Guilain
The exhibition showcases contemporary ceramics through the sculptural work of some thirty ceramic artists.
Structured in six parts, the exhibition reveals different universes linked to the aquatic world, transporting visitors from the sunny beach to the marine horizon, from the polar regions to the depths of the ocean. The ceramic sculptures evocatively represent the different sources of inspiration of water, conveying its fragility and delicacy as a precious ecosystem.
In questa foto:
Claire Lindner, Gjósa, 2024, glazed stoneware, 80 x 66 x 50 cm
Bruno MunarI
Bruno Munari. Tutto
Fondazione Magnani-Rocca, Mamiano di Traversetolo, Parma. 16.03 – 30.06.2024
Curated by Marco Meneguzzo
Graphics, objects, works of art, Tutto responds to a design method that is becoming more precise over the years. Italy’s largest exhibition on one of the most iconic design and visual communication figures of the 20th century concentrates seventy years of ideas and work in all fields of creativity, from art to design, graphics to pedagogy.
In this photo:
Bruno Munari, Gran bazar spacca tutto, 1962 study for Gianni Rodari’s book l pianeta degli alberi di Natale
SUSANNE KUTTER
Like a soft blanket over my eyes…
super bien! Berlin. 15.03 – 20.04.2024
In her artistic work, Susanne Kutter often deals with the catastrophic relationship between nature and culture. Again and again, themes emerge such as the loss of security, continuity and order. In this context, she also reflects on the changing role of women in Western society and the increasing disappearance of the bourgeois middle class, traditionally characterized by wealth, education and culture.
For the glass house superbien! Berlin she creates a homely idyll of icy cold and poetic beauty.
In this photo:
Susanne Kutter, Like a soft blanket over my eyes, 2024, fornitures, lamps, found pieces, powder sugar
Will cruickshank
Revival
All Saints Church, Jesus Lane, Cambridge. 10–24.03.2024
Revival references the cyclical nature of art and architecture, as in recent years artists have looked to reinterpret and appropriate traditional craft techniques for contemporary expression. The exhibition bridges past and present, fostering a kinship with the makers who came before these contemporary artists.
In this photo:
Will Cruickshank, Code Stick No. 2, 2023, mixed yarn, thread, wood, 245 cm
ANDREA BRANZI
The New Poetic Activism
ADI Design Museum, Milano. 29.02 – 07.04.2024
Curated by Mario Trimarchi
The exhibition aims to tell the story of the historic collaboration between creativity and industry that has always typified the idea of Made in Italy, attentive to the quest for expressive new poetry while often being independent of the commercial logic behind products. Following the museum’s intent to promote the excellence of Italian design abroad, the exhibition will arrive in Algeria in November.
NANNI BALESTRINI
Nanni Balestrini: One Thousand and One Voices
CIMA – Center for Italian Moder Art, New York. 22.02 – 22.06.2024
Curated by Marco Scotini
The exhibition focuses on two crucial decades in the career of Neoavantgarde artist Nanni Balestrini, the 1960s and 1970s.
The exhibition draws attention to the dual acoustic and visual levels of Balestrini’s word or, rather, to what Paolo Fabbri has called its “phonic-optical indiscernibility”.
In this photo:
Nanni Balestrini, 65000 Ètudiants, 1972, mixed media on panel. Collezione Emilio Mazzoli, Modena
CLAIRE LINDNER
Végétal
Centre Jacques Brel, Thionville. 26.01. – 23.03.2024
The exhibition is an invitation to observe, pause, and reflect on a resilient nature: plants colonize old walls, sometimes creep into cracks in asphalt, and can be found here and there in our cities and countryside. Oscillating between the real and the imaginary, ten artists recompose a nature that deserves a fresh look.
In this photo:
Claire Lindner, Turning red, 2023, gres smaltato, 44 x 28 x 26 cm
ALAIN URRUTIA
Una tradición moderna
Fundación BilbaoArte, Bilbao. 27.11.2023 – 28.01.2024
Curated by Javier González de Durana
The exhibition, organized on the occasion of the 25th anniversary of the Bilbao City Council’s contemporary art production center, Fundación BilbaoArte Fundazioa, includes a group of national and international artists who, after their time at BilbaoArte, have gained recognition in the current contemporary art scene.
In this photo:
Alain Urrutia, Tercer tiempo, 2008, indian ink and enamel on paper, 200 x 200 cm
MAURIZIO MOCHETTI
Maurizio Mochetti. Disegni e Progetti
Spazio Premio Licini, Ascoli Piceno 19.11.2023 – 14.01.2024
Curated by Alessandro Zechini
The exhibition focuses on the drawings and projects that characterized Maurizio Mochetti’s artistic journey from the 1960s to the late 1990s.
In this photo:
Maurizio Mochetti, Camouflage, 1979
CHRISTIAN MEGERt
Immersion. Les origines: 1949-1969
Musée cantonal des Beaux-Arts, Lausanne. 04.11.2023 – 03.03.2024
Curated by Choghakate Kazarian and Camille Lévêque-Claudet
With fourteen immersive environments by a range of artists is the first exhibition to look at an emerging practice that was to become one of the major forms of expression starting in the 1990s.
alain urrutia
Tino Grandío. Correspondencias
Centro Obra Social ABANCA, Santiago de Compostela. 26.10.2023 – 22.06.2024
Curated by Cooperativa Performa
The exhibition pays tribute to painter Tino Grandío, on the occasion of the celebration of the centenary of his birth in 2024.
The exhibition project is organized on the basis of the main artistic genres that run through Grandío’s work throughout his career. His works are in dialogue with artists of different generations and disciplines, as in the case of portraits, in tune with the works of Alain Urrutia.
In this photo:
Alain Urrutia, The Immortal #4, 2022, oil on canvas on panel, 29,5 x 24,5 cm
alain urrutia
Un mundo nuevo por ver
Museo Bellas Artes de Bilbao, Bilbao. 23.10.2023 – 18.02.2024
The museum has welcomed a donation of 110 photographs from the prestigious Ordóñez-Falcón Collection, one of the most important private photography and video creation collections in Europe. The donation includes also Katamalo (2010), the work comprised of twelve charcoal drawings by the artist Alain Urrutia.
In this photo:
Alain Urrutia, Katamalo, 2010, oil on canvas, 105 x 150 cm each
Valentina d’Amaro
Italian Painting Today
La Triennale, Milano. 25.10.2023 – 11.02.2024
Curated by Damiano Gullì
A large group exhibition dedicated to contemporary Italian painting through the work of 120 of the most interesting Italian artists of different generations, born between 1960 and 2000. The exhibition aims to restore the richness and complexity of Italian painting.
In this photo:
Valentina D’Amaro, Untitled, 2020, Switzerland series, oil on canvas, 105 x 150 cm
ALain urrutia
Framed [Room #10]
Kewenig Galerie, Berlin. October 2023
The exhibition is part of Kewenig Galerie’s monthly program [12 Rooms]. Works by artist Alain Urrutia are displayed in an architecturally unique space adjacent to the gallery.
In this photo:
Alain Urrutia, Framed, 2023, oil on linen
SUSANNE KUTTER
HEIMATEN. Eine Ausstellung und Umfrage
Freilichtmuseum Molfsee, Molfsee. 15.09.2023 – 21.07.2024
With this exhibition, the Freilichtmuseum Molfsee tackles the concept of “home” and deliberately breaks with classical notions of this emotionally charged topic, which is often controversially discussed and instrumentalized politically and commercially. Home is not (just) a place, but a multifaceted entity that each of us has to negotiate every day. Home is not simply there, but is constantly changing.
In this photo:
Susanne Kutter, Die Zuckerdose, 2010, video 9′ 47″, videoframe
MARCO TIRELLI
RiEvolution
La Galleria Nazionale, Roma. 20.09 – 19.11.2023
Curated by Giuseppe Appella
As part of the celebrations for the 100th anniversary of the birth of Lucanian poet Rocco Scotellaro, the exhibition welcomes 45 artists from seven generations who have had constant relationships with poetry. It is a comparison that aims to highlight the word-image relationship, starting precisely from Scotellaro’s broad interests.
ALberto biasi
RiEvolution
Palazzo della Cultura, Catania. 07.09.2023 – 07.01.2024
Curated by Raffaella Bozzini and Giuseppe Stagnizza
More than 130 works by 80 Italian artists, among the most important and significant of the 20th century, who revolutionised international artistic and cultural history. A thematic and immersive journey through the history of Italian art from the early 20th century to the present day.
In this photo:
Alberto Biasi, Dinamica Obliqua, 1966, PVC relief on panel, diagonal 207 x 162 cm
ALAIN URRUTIA
High Spirits
Monopol, Berlin. 13 – 17.09.2023
Curated by Dorothea von Hantelmann
On the occasion of the Berlin Art Week, Alain Urrutia participates in the group show with the recent project Regards sur le regards. The exhibition will take place in the space of the old factory Monopol Berlin.
Will Cruickshank
Threads
Arnolfini Arts, Bristol. 08.07 – 01.10.2023
The exhibition featuring 21 contemporary international artists and makers, who use textiles as their chosen medium. Celebrating material and making, these artists use the storytelling power of textiles to connect with past traditions, find commonalities between cultures, time and place, and to ‘breathe stories into materials’.
In this photo:
Will Cruickshank, Wound Frame No. 3, 2022, mixed yarn, wood, grip tape, 77 x 77 x 70 cm
Ugo La Pietra
Attrezzature urbane per la collettività
ADI Design Museum, Milano. 15.06 – 10.09.2023
The exhibition refers to Ugo La Pietra’s research on the relationship between the individual and the environment and in particular the urban collective space. The exhibition is developed through a series of two-dimensional works, furniture, three-dimensional objects, films, a ballot box, and cards for the public.
In this photo:
Ugo La Pietra, Riconversione progettuale Mobilebar, 2016
Foto Tiziano Doria, Courtesy BIANCON
MAURIZIO MOCHETTI
Lo Spazio, il Vuoto, l’Orizzonte
Fondazione Pino Pascali, Polignano a Mare. 10.06 – 24.09.2023
Curated by Antonio Frugis and Marco Tonelli
The exhibition retraces the milestones of the Roman artist’s career through eight environmental installations conceived and realised between 1974 and 2023. The exhibition highlights the artist’s analysis of certain themes related to space, in relation to the concepts of “emptiness” and “horizon”, developing a peculiar, unprecedented and innovative attitude.
In this photo:
Maurizio Mochetti, Palle, 1988
Photo Giorgio Benni, Courtesy MACRO e Maurizio Mochetti
Claire Lindner
Still Motion
Musée Theodore Deck, Guebwiller. 17.06 – 03.09.2023
The exhibition presents the result of the work undertaken this year by artist Claire Lindner during her research and creation residency at the European Institute of Ceramic Arts (IEAC). A work that fascinates and amazes with the intensity of the colours, the expressiveness of the curves and the dynamism of the shapes inspired by the organic world and its life force.
In this photo:
Claire Lindner, Envol n°2, 2023, grés chamotté et ailes de bécasse, 36 x 26 x 18 cm
Alain Urrutia
La distancia que hay entre A y B es la misma que entre B y A
Museo Municipal de Arte Contemporaneo Conde Duque, Madrid. 08.06.2023 – 08.06.2024
The exhibition opens a dialogue between the Madrid City Council’s Municipal Collection of Contemporary Art and the Mariano Yera Collection, creating a dialogue between different ways of collecting, between public and private collecting, between the idea of geometry and replication, between figurative and abstract, between genres and generations, between seeing and looking. The exhibition revolves around that diatribe, that process full of dilemmas and undertakings where the thought becomes an idea, where the idea becomes an image and where the image generates a message
In this photo:
Alain Urrutia, Judith VIII, 2012, oil on canvas, 130 x 160 cm
Andrea Branzi
Racconti di design
CSAC – Abbazia di Valserena, Parma. 27.05 – 01.10.2023
The exhibition offers a journey through the investigation of design through different media conducted by Andrea Branzi, an undisputed protagonist of the reflection on contemporaneity and the role of design as a field of experimentation.
Ugo La Pietra
Abitare la città. Opere 1969-2022
Accademia di Belle Arti di Brera – Ex Chiesa di San Carpoforo, Milano. 22.05 – 17.06.2023
The exhibition brings together Ugo La Pietra’s most significant works from the 1960s to the present day on the theme of Inhabiting the City.
Franck Scurti
L’Argent dans l’art
Monnaie de Paris, Paris. 30.03 – 24.09.2023
The exhibition traces more than 20 centuries of art history on the theme of the complex relationship between Art and Money, from antiquity and its myths to the present day, presenting around one hundred and fifty pieces from different horizons of art history.
In this photo:
Franck Scurti, Lux-vision, 2021-2022, Murano glass, lead, painted steel, 40 x 40 x 3 cm
SUSANNE KUTTER
Momentum – Die Kunst des Augenblicks
Neues Museum, Nürnberg. 26.05 – 24.09.2023
The notion of “momentum” is highly topical, becoming key to descriptions of our current times. Twelve artists were invited to engage with this abstract, elusive moment, contrasting it with sensory experience and visualization, with works ranging from photography to cinema, from performances to installations.
In this photo:
Susanne Kutter, Less Home n. 3, 2023, lightbox, 25 x 33,5 x 54,5 cm, detail
Franck Scurti
Family tree
Boghossian Foundation, Bruxelles. 02.03 – 28.05.2023
The Boghossian Foundation presents the works of twenty contemporary artists who, through a multiplicity of narrative forms, create a path of personal and group experiences on the theme of the family.
In this photo:
Franck Scurti, Family tree, 2014, charcoal, scrapers, burnt matches, matchboxes
Alberto Biasi
Salto nel vuoto. Arte al di là della materia
GAMeC, Bergamo. 03.02 – 28.05.2023
Curated by Lorenzo Giusti and Domenico Quaranta
Specifically, looks at those artists who, at different times, have investigated the dimension of the void in relation to the theme of matter – thus denying it in substance or identifying it as a mere ideal or imaginative dimension – or whose work has proved capable of reflecting epochal changes in the perception of the material dimension and in material culture itself, introduced by the emergence of the paradigms of software and computerization, as well as by the digital revolution and its social absorption.
In this photo:
Alberto Biasi, Dinamica ottica, 1962-67, PVC and wood
claire lindner
Loewe Foundation Craft Prize
Noguchi Museum, New York. 17.05 – 18.06.2023
The Loewe Foundation Handicraft Prize selected 30 finalists from 16 different countries, chosen for their technical skills, artistic vision and mastery of materials, from over 2,700 submitted works. Among the finalists is Claire Lindner’s work, a dynamic sculptural object vibrant in form and colour. The finalists’ works will be exhibited at the Noguchi Museum in New York.
In this photo:
Claire Lindner, Buisson n°2, 2021, glazed stoneware
Franck Scurti
Flags
Boghossian Foundation, Bruxelles. 29.09.2022 – 22.01.2023
Curated by Alfred Pacquement
With this exhibition, the Boghossian Foundation explores the question of territory, multiple identities and intercultural dialogue, seeking to bring together the uses of the flag in modern and contemporary art in a transnational path of exchange and comparison.
In this photo:
Franck Scurti, I love you = Uno, 2019
Photo by Lola Pertsowsky
CHRISTIAN MEGERT
Epoche ZERO – Die Sammlung Lenz Schönberg zu Gast
Kunstmuseum Ahlen, Ahlen. 06.11.2022 – 12.02. 2023
The Lenz Schönberg Private Collection, collected over many decades by Gerhard and Anna Lenz out of a passion for art and in friendly dialogue with artists, is now on display at the Kunstmuseum Ahlen. What special quality does ZERO develop today, in the age of digitalisation? What individual experiences are revealed in silent contemplation, in focusing? The exhibition is an invitation to perceive and discover.
Claire LIndner
Formes vivantes
Manufacturee et Musée Nationaux, Sèvres. 09.11.2022 – 07.05.2023
With almost 350 works, from Renaissance ceramics to the present day, set against paintings, pieces of silverware or scientific objects with which they are put into perspective, the exhibition questions our relationship with living beings and highlights the links between the mineral world, which comes from the earth, and the living world, the organic, animal and plant world.
In this photo:
Claire Lindner, Blue Flow n°4, 2019, glazed stoneware, 37 x 38 x 36 cm
Piero gilardi
Tutto ciò che è, è nella natura
Museo della Città, Livorno. 28.05.2022 – 08.01.2023
The anthological exhibition comprehensively covers the entire half-century of the Turin artist’s activity, ranging from the works of the 1960s, to the design objects, to the drawings, posters and masks, culminating in the works of the new millennium.
Piero Gilardi
Gilardi: Tappeto-Natura
Magazzino Italian Art, New York. 07.05.2022 – 09.01.2023
Curated by Elena Re
Through an ample selection of works, the exhibition seeks to recount and illuminate the experience of a pioneering artist who, at the height of the 1960s, opened a dialogue between Italy and the United States, and who remains committed to investing in the formation of an international artistic community that embodies the tie between art and life.
Benjamin cohen
Studio Response #3
Saatchi Gallery, London. 22.10.2022 – 05.12.2022
With the Studio Response #3 project Saatchi Gallery collaborates with various curators to select works direct from the studios of artists in order to present a diverse and experimental range of artworks.
In this photo:
Benjamin Cohen, plastic monastic, 2021, stainless steel, bio resin, plastic, silicone, birch plywood, UV glazed archival image, steel bolts, 130,5 x 76,5 x 15,5 cm
ALberto biasi
L’occhio in gioco
Palazzo del Monte di Pietà, Padova. 24.09.2022 – 26.02.2023
Curated by Massimo Grassi, Giovanni Galfano, Guido Bartorelli e Andrea Bobbio
The exhibition, organised as part of the celebrations for the 800th anniversary of the University of Padua’s history and activities, provides an opportunity to engage with art, photography, miniature art, sculpture and technology, in the pursuit of investigating the relationship between art and science.
In this photo:
Alberto Biasi, Visione dinamica, 1964, cardboard and methacrylate, 50 x 50 cm, detail
ALBERTO BIASI & CHRISTIAN MEGERT
Lejos del vacío. ZERO y el arte de posguerra en Europa
IVAM, Valencia. 30.09.2022 – 12.02.2023
Curated by Bartomeo Marí
Reflecting on ZERO and the contemporary groups that shared this spirit, the exhibition brings together over one hundred works by more than thirty artists, as well as numerous documents and archives, who shared the ambition of ‘starting from scratch’ for a new way of making and enjoying art.
ALBERTO BIASI & CHRISTIAN MEGERT
Mouvement. Hommage à Denise Renè
Bonisson Art Center, Rognes. 08.10.2022 – 08.01.2023
Curated by Denis Kilian
The exhibition presents more than fifty works by forty artists and offers an overview of Kinetic Art, one of the major movements in 20th century art.
CLAIRE LINDNER
Toucher terre
Fondation Villa D’Atris, L’Isle sur la Sorgue. 27.05 – 01.11.2022
The Foundation explores the art of ceramic sculpture by bringing together more than 130 works by 100 historical, contemporary and emerging French and international artists who question social and environmental issues in their work.
In this photo:
Claire Lindner, The Fall, 2021, glazed stoneware
CHRISTIAN MEGERT
Reflections – Spiegelwelten
Museum für Konkrete Kunst, Ingolstadt. 09.10.2022 – 05.03.2023
The Museum für Konkrete Kunst presents large-scale sculptures, paintings, photographs and installations by almost 30 artists, including pioneering figures from Concrete and Kinetic Art as well as contemporary artists, made with reflective elements and materials, focusing on the principle of reflection.
ALAIN URRUTIA
Basque Artist Program, 2015 – 19
Guggenheim Museum, Bilbao. 08.07 – 06.09.2022
Curated by Lucía Agirre and Geaninne Gutiérrez-Guimarães
This exhibition brings together artworks by ten artists who participated in the Basque Artist Program, a joint initiative of the Guggenheim Museum Bilbao and the Solomon R. Guggenheim Museum, New York.
In this photo:
Alain Urrutia, Memento, 2021 – ongoing, oil on linen, wood, mirror, linen and vintage offset prints
ALBERTO BIASI
Sensorama
MAN, Nuoro. 08.07 – 30.10.2022
Curated by Chiara Gatti and Tiziana Cipelletti
SENSORAMA adopts the model of the Museum of Illusions in a cultured and original way. With their works, contemporary artists and videomakers explore the relationship between Vision and Perception. The aim is to show the complexity of cognitive phenomena and the “pleasure” of being deceived.
AXEL LIEBER
Summer Exhibition 2022
Stockholm. 23.05 – 11.09.2022
Curated by Frida Cornell
Now in its fifth edition, the exhibition takes place in conjunction with the Living Stockholm project, in pedestrian streets, squares and pop-up parks.
In this photo:
Axel Lieber, Take Away, 2022 – Gubbängstorget, Stockholm
Claire lindner
Against Nature
MOCO, Montpellier. 21.05 – 04.09.2022
Curated by Caroline Chabrand
Against Nature is an exhibition inhabited by insolent, hybrid shapes made of clay and ename, grotesque creatures that compose a luxuriant, original, mysterious, troubling. The works gathered concern ceramics less as folklore than as modeling and alchemy, technique, and magic.
In this photo:
Claire Lindner, Enchevêtrement Vertical, 2022, glazed stoneware, 120 x 100 cm
Roberto almagno
Plasmare il disegno
Galleria Nazionale d’Arte Moderna e Contemporanea, Roma. 05.05 – 28.06.2022
Roberto Almagno’s exhibition presents his most recent artistic production through a site-specific installation created for the museum.
In this photo:
Roberto Almagno, Senza titolo 1, 2022, wood
Photo by Roberto Almagno
Alain Urrutia
Una historia del arte reciente (1960-2020) II
Museu Fundación Juan March, Palma de Mallorca. 09.03 – 09.07.2022
The Juan March Foundation and DKV Seguros present a group exhibition that traces the recent history of Spanish art performed between the second half of the Twentieth Century and the first two decades of the Twenty-First Century.
In this photo:
Alain Urrutia, Aktionismus, 2008
Susanne Kutter
Stille im Auge des Zyklons
Marburger Kunstverein, Marburg. 08.10 – 18.11.2021
Susanne Kutter presents new multidisciplinary installations designed specifically for the exhibition.
In this photo:
Susanne Kutter, Der Wald steht schwarz und schweiget (The Forest Stands Dark and Silent), 2021, ball with brocken mirror shards, motor, wooden leftovers, poured cement
Music: a young woman sings the german song “Abendlied (Evening song)
3:20 min.
Photo by Christian Stein
FRANCK SCURTI
The Pescara’s recording
Fondazione Zimei, Montesilvano. 09.10.2021 – 15.01.2022
Curated by Massimiliano Scuderi
A specific project that comes from a research operated on the site and starts from the artist’s idea of narrating the city buzz; which is the background noise – consisting of fragments of materials and building waste – that ‘plays’ plastically in a constant manner inside the urban space and is peculiar of every place.
In this photo:
Franck Scurti, Packaged noise #3, 2021, wood, copper, 90 x 70 x 140 cm
ALAIN URRUTIA
Studiolo. Una mirada a la colección de Candela Álvarez Soldevilla
Museo Lazaro Galdiano, Madrid. 20.10.2021 – 30.01.2022
Curated by Alicia Ventura
The Lázaro Galdiano Museum presents Studiolo. Una mirada a la colección de Candela Álvarez Soldevilla. More than a hundred works having a link in common: the representation of the head as a container of thought.
In this photo:
Alain Urrutia, Alienation III, 2014, oil on canvas, 35 x 35 cm
Ugo la pietra
Abitare è essere ovunque a casa propria
Fondazione Zimei, Montesilvano. 02.07 – 02.09.2021
Curated by Massimiliano Scuderi
The relationship between the interior and exterior of man-made environments, and the many implications that govern our way of inhabiting contemporary towns and cities, is the main theme of the retrospective exhibition dedicated to Ugo La Pietra.
In this photo:
Ugo La Pietra, Interno-Esterno. Casetta, 1982
Photo by Massimo Camplone
ALAIN URRUTIA
Una historia del arte reciente (1960-2020)
Museo de Arte Abstracto Español, Cuenca. 22.06.2021 – 16.01.2022
The Juan March Foundation and DKV Seguros present a group exhibition that traces the recent history of Spanish art performed between the second half of the Twentieth Century and the first two decades of the Twenty-First Century.
In this photo:
Alain Urrutia, Beheaded Hans IV, 2012, oil on canvas. DKV Collection
ALAIN URRUTIA
Pintura. Renovación permanente
Patio Herreriano. Museo de Arte Contemporáneo Español, Valladolid. 06.03 – 05.09.2021
Curated by Mariano Navarro
The exhibition seeks to shed light on two moments of great importance in the context of Spain’s contemporary painting. These are, on the one hand, the years between the late 60’s and the decade of the1970’s, and on the other, the final years of the Nineties and the beginning of the New Century.
In this photo:
Alain Urrutia, PANDO, 2018-2019, oil on linen, 21 x 15 cm
nanni balestrini
La violència illustrada
La Virreina, Barcelona. 19.03 – 23.05.2021
The first Spanish solo show of Nanni Balestrini. The exhibition is organised in collaboration with the Soprintendenza archivistica e bibliografica of Lazio.
In this photo:
Nanni Balestrini, La Polizia, 1972
ALberto Biasi
Tra realtà e immaginazione
Palazzo Ferro Fini, Venezia. 07.05 – 18.07.2019
On the occasion of the 58th International Art Exhibition of the Venice Biennale, Palazzo Ferro Fini present the exhibition Tra realtà e immaginazione, promoted by the regional Council of Veneto in close collaboration with the Alberto Biasi Archive and the Alberto Peruzzo Foundation.
VINCENT BEAURIN – MARCO TIRELLI
Hocus Pocus
MAC – Museo d’Arte Contemporanea, Lissone. 04.05 – 21.07.2019
Curated by Alberto Zanchetta
Four contemporary artists, Vincent Beaurin, Oren Pinhassi, Felix Schramm e Marco Tirelli, discuss the theme of the disappearance/reappearance of the object and the crossing of surfaces.
In this photo:
Hocus Pocus, exhibition view, MAC 2019
Photo by Mattia Mognetti
ALBERTO BIASI
Gli ambienti
Fondazione Palazzo Pretorio, Cittadella. 29.05 – 06.11.2016
Curated by Guido Bartorelli
For the first time the sequence of all AlbertoBiasi’s environments, created since the starting of his artistic career, is presented in a big solo exhibition.
Photo by Mauro Magliani